Copenhagen AW 17: Oh! By Kopenhagen Fur meets Hærvæk

by Lotus Ladegaard

Hærværk, which means vandalism in Danish, was founded by Niels Gundtoft Hansen who debuted on Copenhagen Fashion Week, last season. He is a graduate of Royal College of Art in Menswear. Hærværk is inspired by oil sea, wet asphalt and the rusty containers that litter the Danish seafront. The design style is street couture avant-garde with many references to Denmark and the Danish culture even though one might think it is more street than couture, there is some fusion in his work. 

Held at an auto mechanic shop in North of Copenhagen, Hærværk’s AW17 collection was every bit as crude as the venue. The color palette was very colorful, however, far from as loud as they could have been. The pieces were edgy, crude and detailed. Models came down the runway in trash-bag-shoes in a sort of pattern that was far too neat and somehow did not fit the collection or the venue. While the collection builds on his SS17 collection, it had more variety despite fewer looks. From oversized baggy tops and bulky jackets to more fitted garments, Hærværk showed a wider range and even included a female look with a low back tank top and shorts. 

While it can still be questioned how wearable the collection is as shown, the individual pieces are still very intriguing and can be mixed with a wardrobe of street wear. The overall feel and look of the collection might still be too avant-garde and different to some, it will certainly still have an audience and a loyal one at that. 

                           
Oh! By Kopenhagen Fur,
on the other hand, is a Danish luxury accessory brand primarily focussing on bags and charms. Oh! is modern sophistication with a commercial appeal. Oh! operates on the philosophy that fur is part of our DNA, however, fur does not have to be taken so serious and thus design pieces with a fair amount of humour. Oh! has a strong following and a long history stemming from its mother company. Oh continues to deliver pieces that fashionistas of any ages favour. In a time where fur is ever more unpopular, Oh! and Kopenhagen fur is not looking to convince people to wear fur, but instead take sustainable responsibility for their production. 

Oh! by Kopenhagen Fur's AW17 show was the highlight of Tuesday. Dancers dressed in dust and dusty leotards stood on squared pillars as the curtain fell. Each dancer performed separately and accordingly to the music drawing inspiration from several dance genres from ballet to contemporary to isolations and African dance. The show was all about diversity and respect for others and their opinions. 

The accessories were worn in anything but a traditional way and while the show might not have highlighted the pieces, the actual show was definitely memorable and inspiring and received a long applause from an audition in awe. 

Bags in leather with fur embellishment, fur charms were featured on the dancers. The colour palette was diverse and span from natural fur colours to orange, purple, red and burgundy. The pieces were charming, humoristic with that Oh! Sophistication. I especially enjoyed the little charms that one can attach to a bag or other accessories. 

Undoubtedly, we will see many fashionistas with an Oh! by Kopenhagen Fur accessory. 

Both these shows provided us with a glimpse of what is good about Danish design... Rugged streetware and Elegant, whimsical fur. 

2.7K

Recap of Copenhagen SS17: A Royal Flush

by Christine Tongue

Now that Copenhagen fashion week is over, it's a time to reflect on what will form the lasting memories of the spring/summer 2017 shows. The fashion week had a total of 29 women's and men's labels showing, from established designers like Henrik Vibskov and Fonnesbech to new young student talents from the design schools - and some of the shows took place in new interesting locations across the capital. These are a few of the highlights:

Beginning with a great Danish talent that delivered a show that was more art than fashion. Nicholas Nybro, known for his previously spectacular shows, this time he took the audience down a slightly decadent basement bar lit in pink, seating us at tables as his show went on around us with actors/models enacting nightclub scenes in his latest fashions. It was a delightful bunch of all ages and heights who spread a joyful feeling, smiling and interacting with the audience in an immersive experience that may have put the fashion secondary, but was conveying a larger message - celebrating age and aging and making a statement about the unhealthy fixation of youth today. The outfits themselves were more theatrical, outlandishly glitzy, or just camp, so maybe not so wearable unless you're going to a costume party, but in the world Nybro created they fitted perfectly. One left feeling moved, even uplifted, and that is a great mark of art to me.

Another great creator of his own worlds is, of course, Henrik Vibskov. This time he brought us to an imaginary salami factory placed in the courtyard of a warehouse in the Meatpacking district. As the audience entered and throughout, "butchers" were working on their textile salamis hung up on a structure in the middle as the models circled the scene. It was a slightly macabre world that formed an interesting contrast to his Eastern inspired fashion showcasing Vibskov's usual flair for printed patterns, both colourful and monochrome, in well-constructed garments. The colour of the salamis entered into the fashion as red and white polkadot printed kimono dresses and as salami-prints on braces for dresses, skirts and trousers, making their way also into the incredible headpieces - Vibskov seems to have a thing for hats. All in all, it was a thought-provoking show with many deliciously wearable pieces.

By the base of the impressive Carlsberg elephant statues in the old brewery, Lala Berlin offered a delightful, bohemian style with inspiration from the African jungle. Using collage, prints, layered imagery of flora and fauna, or just white and fresh crisp, the brand delivered feminine styles to feel gorgeous in. The collection had clear inspiration from African tribes with its colour palette and fringes, but was made for the urban chic woman.

The African influences were also seen at Fonnesbech, where the catwalk was filled with sand and a live musician playing the kora (like an African harp) created a meditative, beautiful feeling as the models waded through their own Sahara desert.  Accompanying fluid silhouettes in neutral tones, sandals with red accents added a very nice touch.

Among the student talents from Margrethe-Skolen the ones that stood out were the ones creating their own vision building on their own conceptual thinking, rather than making twists on current designer trends.  Louise Lyngh Bjerregaard showed a poetic interpretation of her family history over the ages with for example an excellent outfit combining something resembling a household apron with a 1980s bowed blouse in an outfit that showed beautiful use of colour and felt entirely fresh. She also used old polaroid photos incorporated into her garments and shoes. Sofie Sol created her own universe merging bright fluorescent yellow worker wear with couture in innovative ways treading a fine balance between function and finesse. There is talent brimming in Denmark, and these are just some of the names to watch for the future!

 

_______________________

Christine Tongue is an Anglo-Swedish copywriter/writer, fashion lover and mother.