Mykke Hoffman and the Swagger of Sustainability

by Lotus Ladegaard

Behind Mykke Hofmann are the two Yugoslavian-Danish designers; Sedina (Mykke) Halilovic and Jelena Hofmann, who launched the brand back in 2017. Their aim is to empower and dress women through slow and fair fashion. Mykke Hofmann runs its own production site in Belgrade with approx. 40 seamstresses and thus has full control of their process. 

Right before the much-anticipated show, the venue was darkened and a projector showed just in numbers how many hours Mykke Hofmann has spent on the collection and added that in the next ten minutes, we would see the result of those hours. That in itself was a clever way of pressing the point home about sustainability and craftsmanship.

MH’s AW20 collection was bold and interesting and had plenty of editorial appeal. The colour palette featured bright and pastel colours, a few prints and colour-blocking along with classic black and white. The silhouettes offered a little bit of everything from easy-to-wear pieces to fitted and tailored asymmetrical pieces. 

Several looks such as the oversized white sweater with a flowy asymmetrical green and purple chiffon dress underneath and the traditional trench coat with asymmetrical back styled with an olive-green shirtdress and beige waistband stood out. Flowy pieces like the chiffon dresses visibly layered above shirts and dresses were crowd favourites and will undoubtedly do well in a market clamoring for something new and exciting.

LaLa Berlin and the Levity of Universalism

by Omi

Lala Berlin can light up even the dreariest of days. It could be because Layla Piedayesh is an inherently hopeful person and that inherent optimism shines through her work or it could be because Lala Berlin as a brand is most effective through the lens of uplifting optimism so what we see is more or less our projection stemming from how we associate certain colors with certain emotions. Theory and philosophy aside, Lala Berlin’s Spring / Summer collection titled Lala Island is an exploration of fused identity through the prism of color and tonality. From lilac to vivid orange, pastel hues to printed silhouettes, the whole collection is a curious dip into the fused aesthetics of cultural identity without the mind-numbing appropriation that comes with it. For that alone, this collection deserves a lot of praise.

On a more functional level, Lala Berlin is not here to reinvent the wheel but to make sure when the wheel is stuck in the muddy interiors of tribalism, nationalism and identity politics, there is still some respite in the form of fused identity without forgoing identity itself.

Cross-stitched Kufiya embroidery and the floral prints are deliciously poised to evoke a sense of belonging yet they are light enough to elevate the mood of the day. As a whole, the collection is filled with levity and rarely does it not fail to deliver. It is a complete collection with quirks of German functionality (in the form of scarfs turned belts), Persian sense of color and universal exploration of who and what we are.

Leyla envisions an island full of complementing identity with no real element of conflict or subjugation and foundationally that sense of aesthetics is what makes this collection one of the most well thought through and complete collection of Copenhagen Fashion Week.

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