Top Three Shows from Copenhagen SS19 : Day 3

by Lotus Ladegaard | Gina Parker

The last day of Copenhagen Fashion week did not throw us any curve balls. It was as consistently good as ever. The shows that stood out were the shows that had an edge to them. While the bigger Copenhagen designers were on display, Copenhagen simply does not have a truly global brand so the designers who understand their core demographics stand out more than designers who try to bombard you with influencers and celebrities.


One of our favorite shows from the CPHFW was Munthe. Naja Munthe entered the Scandinavian fashion scene with Munthe plus Simonsen, a Danish brand with great promise and flair. Just four years ago, Naja Munthe relaunched the brand as Munthe, and after a somewhat dull start, Munthe has impressed in the past two seasons and much was anticipated for SS19. Munthe did not let anyone down, she continues to develop and challenge the term athleisure and delivered a solid and fresh SS19 collection.

For SS19, Munthe showcased her collection at the beautiful venue, Skuespilshuset in Copenhagen, near the canals. Models walked a catwalk decorated with statues resembling palms and made for an interesting backdrop and show. The collection offered just about anything from dresses to outerwear and separates for most occasions. It felt fresh, feminine and classy without ever being overstated. The colour palette was summery with classic subtle prints combined with a few bold tones. 

Several looks stood out such as layered almost sheer printed dress styled with a black sheen blazer, and the burnt orange trousers styled with a scarf-top and printed coat. Several adorable shorts with bell-top waist also stood out along with much of the outerwear such as the maxi trench coat in plat, the fitted coat in print and a burnt orange pilot jacket.

If you are looking for a pair of comfortable trousers, yet still fashionable enough to attend a formal wear event, Munthe is definitely a designer you ought to know. She knows how to challenge the term athleisure and how to twist it into adorable pieces that would win over most.

Munthe’s SS19 collection is bound to excite editors and buyers alike. It is versatile and easy to mix and match and thus undoubtedly will do well. 
 

If Munthe is on an upward trajectory, then Lærke Andersen has been on a plain of pure excellence. Lærke Andersen is one of Denmark’s new and exciting design talents. She has already worked in different areas of design with prestigious fashion names such as Henrik Vibskov and Louis Vuitton. In 2017, she was awarded the very first Magasin du Nord Fashion Prize and was given a show at Copenhagen Fashion Week AW18. Lærke presented her SS19 collection along with ARKK. 

ARKK is a Copenhagen based sneakers brand with a custom-made outsole. The brand was founded by two childhood friends with a passion for streetwear, in 2014. The brand quickly moved beyond Scandinavia and is sold in more than 20 countries, today. 

Lærke Andersen has always sought to erase boundaries between contrasts and to deliver urban sophistication along with functionality and simplicity. Her SS19 collection continued in those lines, although her play on masculinity and femininity seemed to have been boiled down to some rather boxy silhouettes resembling workwear. The color palette was busy and offered subtle as well as bold tones. 

Lærke Andersen has surprised and impressed in prior seasons, her SS19 collection had a few stand-out looks such as the white shirt with oversized sleeves and blue shorts styled with a pair of thigh-high white sneakers, and the studded black crop top with matching shorts and colour blocked coat that almost looks like workwear styled with black sneakers. Another stand-out look was the black maxi dress with some asymmetrical seaming details styled with black knee-high sneakers and a woven round basket bag. A beige loose coat styled with thigh-high white sneakers was another example of how the ARKK sneakers elevated many of the looks.

Heliot Emil

Julius Jool and Victor Jool are traditionalist in a sense that they named their brand after their grandfather Heliot. And their aesthetics while not the most traditional by any measure is deeply rooted in the subculture of Copenhagen's street style and monochrome movement. Their SS19 show went on to dissect the role of clothing as a form of constant which impacts our variable characteristics as humans. The idea in itself is an intriguing one though not original. But the clothes have a certain levity to them that with the idea and the clothes the production becomes original and rather complementary to the duality of our existence. While it would be tempting to dig deep into the philosophical treatise of formation vs replication and evolution, the fact of the matter remains...Heliot Emil is here to slay. And with the introduction of a women's line this collection was the most Copenhagen of them all. And i dont mean the timid flowery kind that is a product of fashion's gentrification masquerading as femininity, the truest form of Copenhagen where form and function rebel against each other. And that is the the charm of Heliot Emil.

While there were surely bigger shows and better placed shows, the 9 shows we curated for Copenhagen truly stood out this season. And it is a testament to the Danish market that despite some monopolization the edgy designers are still able to be independent of market forces to an extent. 

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Filippa K., The Savior of Stockholm Fashion Week

by Justine Nygaard 

A rather underwhelming Stockholm fashion week did not trickle into the brightness of Filippa K's new collection. Filippa K's new collection shown at her very first boutique had all the casual glamor of scandi fashion royalty. Filippa has built an empire out of scandi functionality dipped in fine craftsmanship. And this collection was no different. To be this basic and this cool, requires understanding both elemental aspects of these constructs and Filippa K's equipoise is evident in each piece. The basic color palettes were complementary to the notions functionality while proving to be a formidable homage to Filippa's work over the last two decades. This was a homecoming for Filippa in more ways than one.